The project was strongly influenced by the prescribed circulation route. With the visitor’s of the exhibition following a clear one way system that could also be changed and short cut if they desired. The aim was there was enough break spaces to avoid museum fatigue. This was partly inspired by Gordon Cullen’s serial vision and my own experience at galleries and exhibitions. The new additions to the building were made clearly legible by using characteristic Reading dark grey brick or locally sourced grey tiles both helping contextualise the project and better allowing people to appreciate the clay history the town has.​​​​​​​

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